Every person has a story, or ten or a hundred. Sharing our stories is one of the most important things we can do.
We’re talking about the broad category of Non-fiction. Everything must be true. Beneath that overarching category we have sub-categories:
We’ve lived a lot of life. Where do we start?
Example: Back in the early 80s, my father’s union went on strike. I understood in a general way that meant he couldn’t go to work until the company renegotiated their contract. But one day a neighbor showed up with a bag of groceries. My mom was reluctant to take them, but did. And when the neighbor left, she took a bag of rice from the groceries and pressed it to her eyes and started to cry. It was the first time that I really understood that we were poor.
The Story is pretty simple. A woman brings over groceries. Not super exciting by itself. But add the problem, solution, its meaning, and the details crystallized in my mind and it starts to take shape.
Problem/Trouble –We didn’t have enough to eat.
Solution–A neighbor brought us food.
Change/Meaning–the realization that we’re poor. Innocence –-> Understanding
Shimmering Image–I can recall everything about the scene–the angle of the sun through the kitchen curtains, the sound of the bag crinkling, the shape of my mother’s humped shoulders. It crystallized in my memory because it was weighted with meaning. That is a shimmering image. That is a story waiting to happen.
WRITING EXERCISE: Five minutes. Locate moments of challenge or trouble in your life. Think about the events after which everything was different.
It doesn’t have to be as big as a birth or death. It could be when you met or lost a best friend. The first time you had sex, or giving up riding your bike to drive a car. It could be winning an award, a divorce, learning to paint, becoming sober, visiting a new place. Make a list of these events–aim for about twelve.
Each of these is a possible jumping off point for a story. I encourage you to keep a chronological list and expand it whenever you think of a new moment-after-which-everything-changed.
Look at your list. Choose one that jumps out at you. Likely it’s either shouting PICK ME! or doing its best to hide–don’t look at me. The hardest and bravest memoirs dive into the ones that hide. That’s where the most conflict and the most emotion live.
Now tell me the story. What happened? Where were you? Describe the setting (weather, temperature, birds singing, smells etc). Describe the characters–their physical attributes and what is unique about them like a walk or laugh or turn of phrase. Keep writing until you’ve told everything you can remember.
Now it’s time to help the shimmering images around that story to awaken. Draw a map of the location where the story takes place. As memories float up–the toothpaste was in this cabinet, the tire treads were worn along the edges–write them down in one or two word phrases alongside. Memories will surface, note them and move on.
Choose another shimmering image and repeat the process.
Put it in a drawer for a week and don’t look at it.
Revise, revise, revise.
Get someone else’s eyes on it. Take it to a writer’s group for critique. Take a workshop.
Write another one. Practice makes perfect.
READ THE MEMOIRS OF OTHERS
Repeat.
Publish? I recommend pw.org for listings of literary magazines seeking memoir. Look for local publications seeking local stories. If you can write your memoir in 100 words or less- called micromemoir- there’s an online journal called Brevity which has a high acceptance rate (20- 30% of submissions).